think twice, bend once.
each kit comes with all of the parts needed to build the project. included in these flat packed synthesizers are everything from a powder coated aluminum chassis to an illustrated build guide with instructions and bend angles. when bending is complete, move on to mount the modules, snap the wire connectors and finalize your build with knobs and rubber feet. remember, think twice and double-check the angles before bending.
square oscillator
rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. the pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.
sawtooth oscillator
containing both the odd and even harmonics, the sawtooth is great for string types of sound. the linear frequency modulation input (fm) easily brings you into the sci-fi domain.
sine oscillator
with no overtones the pure sine wave is a jack of all trades. from pure bass to dub sirens, it’s the army knife of a modular system. the linear frequency modulation input (fm) easily brings you into the sci-fi domain.
low pass filter
shape your sound with the 24db/oct low pass filter. get lost in space while tweaking the frequency and resonance pots, capable of self-oscillation.
envelope
a classic. attack, decay, sustain and release. give your sonic creation the contour it deserves. triggered by any signal that crosses the two volt threshold.
voltage control amplifier
automate your volume! feed it control voltage and your signal will adapt accordingly. best friends with the envelope for classic configurations, and your oscillator in wired configurations.
3-channel mixer
a necessity in all modular systems. three inputs, one output with volume control over both the individual inputs as well as the master output.
2 x noise
the white noise contains noise equal over the whole spectrum. the saw output is a perfect companion for the sample and hold.
randomise
randomise your music with the sample and hold. any input is sampled and then presented at the outputs. rate can be controlled both externally and internally, but always need an external signal to sample. experiment with both receptive and random sources as the sample input.
low frequency oscillator
generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. great in everything from automated filter sweeps to syncing the clocks.
amplifier + speaker bellow
cables goes in, sounds come out. show off your amazing patch to the rest of the world. let them hear it.
warning: never connect headphones directly to the outputs! you can damage your ears and your headphones.
16-step sequencer
sixteen steps of control. override the internal clock with the clock input. send clock out or po sync out. make it go backwards with the arrow input. jump to the first step, the second, fourth or eight step with the reset and binary.
features.
- oscillators retrimmed to improve audio range
- speaker volume knob adjusted for intuitive control
- labeling for the output jacks on the keyboard changed to “cv 1, 2, 3” the 3 “program gate” jacks changed to “gate 1, 2, 3” and the 3 “keyboard” jacks changed to “keyboard cv”
- increased size of screw holes on powder coated aluminum chassis for easy building
- standoffs come pre-threaded for quicker assembly
- psu improved to be more stable and offer longer battery life
WARNING: THE MODULES HAVE NO REVERSE POLARITY PROTECTION. MAKE SURE TO WIRE THINGS CORRECTLY TO AVOID DAMAGING THE UNIT. WARRANTY IS VOID IF INCORRECTLY ASSEMBLED.
ALSO: DO NOT CONNECT HEADPHONES DIRECTLY TO ANY OUTPUTS! THIS MAY DAMAGE YOUR EQUIPMENT AND HEARING.
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