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Home Ef­fect and Sig­nal Pro­cessors Preamplifier Focusrite ISA 828 MkII Eight-channel Classic Mic Pre
Focusrite ISA 428 MkII Classic Mic Pre
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Focusrite Vocaster One Podcast Audio Interface AED 649.00 inc. vat
Focusrite

Focusrite ISA 828 MkII Eight-channel Classic Mic Pre

Sharing the simple mic preamp design of the original Focusrite ISA 110 module from the Focusrite Studio Console, ISA 828 MK2 incorporates eight of Focusrite’s classic mic preamps, with Lundahl LL1538 transformers on every input.

  • Optional A-D card with up to 192kHz, 24-bit sampling offers high-quality, precision digital audio conversion to Dante, ADAT and AES3
  • Classic ISA mic preamp design featuring Lundahl LL1538 input transformer
  • Switching power supply design allows for efficient and cool operation
  • Front-panel instrument inputs to first four channels
  • Line inputs with dedicated input connectors and front-panel switch
  • Switchable input impedance including classic ISA 110 setting
  • High-pass filters
  • Switchable insert points when used with A-D card
  • Calibratable, per-channel six-segment LED peak-level meters
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SKU: FR-ISA428MK2-1 Categories: Audio Interfaces, Preamplifier
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Description

Sharing the simple mic preamp design of the original Focusrite ISA 110 module from the Focusrite Studio Console, ISA 828 MK2 incorporates eight of Focusrite’s classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an ‘ISA 110’ setting, which replicates the impedance of the original Focusrite mic pre.

Up to 60dB of gain is available, with a further +20dB of continuously variable trim, providing a huge 80dB gain range. The high-pass filter with fixed 75Hz frequency and 18dB/octave roll-off. ISA 828 MK2 features high-pass filters, calibratable per-channel, six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.

Dedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MK2 perfect for permanent installation in a rack. New to the ISA 828 MK2 is an updated power supply that allows for more efficient power consumption, a reduction in heat generation, and extremely reliable operation. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at rates of up to 24-bit/192kHz.

Eight-channel mic pre and optional A-D card with Dante

The ISA 828 MkII incorporates eight of Focusrite’s classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an ‘ISA 110’ setting, which replicates the impedance of the original Focusrite mic pre.

Up to 60dB of gain is available, with a further +20dB of continuously variable trim, providing a huge 80dB gain range. The high-pass filter has a fixed 75Hz frequency and 18dB / octave roll-off for minimising rumble, stand-borne noise and other low-frequency sounds. The ISA 828 MkII also features per-channel, six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.

Dedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MkII perfect for permanent installation in a rack. A switching power supply allows for efficient, cool operation, without sacrificing sound quality or performance, and increasing reliability over its predecessor. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at sampling rates of up to 24-bit / 192kHz.And as with all Focusrite Pro products, wherever you happen to be in the world, you can rely on a three-year warranty if any Focusrite Pro hardware needs repairing or replacing due to a manufacturing fault.

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Focusrite

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Specifications

Mic inputs

  • Frequency Response At Minimum Gain (0dB) (Mic): -0.35dB at 20Hz and –3dB at 122kHz
  • Frequency Response At Maximum Gain (60dB) (Mic): –2.5dB at 20Hz and –3dB 103kHz
  • Gain Range (Mic): 0dB to 60dB in 10dB steps, plus 0dB to 20dB continuously variable trim
  • Maximum Headroom (Mic): 7.4dBu
  • Noise EIN (Mic): -126dB (measured at 60dB of gain with 150O termination and 20Hz/22kHz bandpass filter)
  • Noise At Main Output With Unity Gain (Mic): -98dBu (measured with a 20Hz/22kHz bandpass filter)
  • SNR (Mic): 123dB (relative to max output 25dBu) 120dB (relative to 0dBFS ( 22dBu)
  • CMRR (Mic): 88dB
  • Input Impedance, Variable (Mic): 600O, 1400O, 2400O, 6800O

Instrument inputs

  • Gain Range (Instrument): 10dB to 40dB continuously variable
  • Maximum Headroom (Instrument): 11.5dBu
  • Noise At Main Output With Minimum Gain ( 10dB) (Instrument): -95dBu (measured with a 20Hz/22kHz bandpass filter)
  • Input Impedance (Instrument): >1MO

High-pass filter

  • Roll Off: 18dB per octave 3 pole filter
  • Frequency Range: 16Hz to 420Hz (continuously variable, measured at the 3dB down point)

Line inputs

  • Frequency Response At Unity Gain (0dB) (Line): -0.3dB at 20Hz and –3dB at 94kHz
  • Gain Range (Line): -20dB to 10dB in 10dB steps, plus 0dB to 20dB continuously variable trim
  • Maximum Headroom (Line): 25.4dBu
  • THD N (Line): 0.002 (measured with 4dBu input signal, 0dB gain setting, with a 20Hz/22kHz bandpass filter)
  • Noise At Main Output With Unity Gain (Line): -91dBu (measured with a 20Hz/22kHz bandpass filter)
  • SNR (Line): 116dB (relative to max output 25dBu) 113dB (relative to 0dBFS 22dBu). Input Impedance: 10kO
  • Frequency Response At 10dB Gain (Instrument): -0.2dB at 20Hz and 0dB at 200kHz
  • Frequency Response At 40dB Gain (Instrument): -3dB at 20Hz and –3dB at 38.4kHz

Front and rear connectivity

  • Analogue Audio Outputs (Outputs 1-4): 4 line XLR outputs on rear panel, 4 insert send 1/4” TRS jacks on rear panel
  • Other I/O: IEC power input connector 100Vac – 240Vac

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